In the hallowed halls of London’s Wigmore Hall, a most enchanting display of musical prowess unfolded as the inimitable Martha Argerich graced the stage for a rare chamber music performance. At 83 years young, the legendary pianist’s irrepressible brilliance shone through every ivories-tickling note, captivating the fortunate audience members who managed to secure a coveted seat.
A Trio of Virtuosos
Argerich was joined by her longtime collaborator and friend, cellist Mischa Maisky, who recently returned to performing after battling serious illness. Alongside them was the elegant violinist Yossif Ivanov, completing a formidable trio of virtuosos. Together, they wove a tapestry of sonic delights, their instruments intertwining in a mesmerizing dance.
Haydn’s Effervescent Piano Trio
The program began with Haydn’s G major “Gypsy Rondo” piano trio, a delightful showcase for the ensemble’s impeccable synergy. Argerich’s sparkling touch added fizz to the outer movements, while Maisky and Ivanov’s soulful dialogues in the slow movement tugged at the heartstrings.
Whether adding fizz to the outer movements of the Haydn or inexorably building up the momentum in the first movement of Mendelssohn, Argerich was irrepressible.
Mendelssohn’s Dramatic Flair
In Mendelssohn’s D minor Trio, Argerich’s relentless energy propelled the music forward, her fingers flying across the keys with dizzying speed and precision. The scherzo’s final downward scale, executed with jaw-dropping clarity, elicited gasps of wonder from the enraptured crowd.
Schubert’s Poignant Encore
As an encore, the trio offered a poignant rendition of Schubert’s song “Du Bist die Ruh” in a piano trio arrangement. Maisky and Ivanov’s tender melodies intertwined beautifully, while Argerich’s sensitive accompaniment provided a lush harmonic foundation.
A Rare Solo Treat
But the evening’s crowning glory was undoubtedly Argerich’s solo performance of Bach’s C minor Partita, BWV826. In a city that hasn’t witnessed her solo recital in over three decades, this was a moment to treasure. Argerich imbued the opening Sinfonia with theatrical grandeur before launching into a breathtaking traversal of the remaining movements, scarcely pausing for breath.
Wonderfully supple and fleet, it was fabulously instinctive Bach playing – if not perhaps to the taste of baroque purists.
Her interpretation may have ruffled the feathers of some baroque purists, but there was no denying the sheer magnetism of her music-making. Age has not dimmed Argerich’s fire; if anything, it has only intensified her ability to communicate the very essence of the music she plays.
An Unforgettable Evening
As the final notes faded away, the audience leapt to their feet in a fierce standing ovation. Martha Argerich had once again proven her singular ability to electrify a concert hall, leaving listeners spellbound and profoundly moved. For those lucky enough to witness her artistry in person, it was an unforgettable evening – a master class in musical expression from one of the greatest pianists of our time.
